I worked for Solid Audioworks (Will Morton) as a sound designer on the adventure game Lost Ember, developed by Mooneye Studio.

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The game was released on the 22nd of November 2019 on Steam, GOG, Xbox One, and PlayStation.

I was in charge of:

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• Foley: animal footsteps and movements, foliage

• Field Recording: ambiances, animals, foliage

• Audio editing

• Create a recording audio library

GAME ENGINE: Unreal Engine 4

I worked for StoryToys video game studio on their Lego Duplo Marvel mobile game for kids on the activities : Iron Man Space Rescue, Build and Play, Hulk and Fun Fair Super Hero. I was responsible for:

• Sound Effects creation: with recording and audio synthesis

• Audio Editing: recordings, dialogues

• Audio Implementation : SFX and Music, worked with programmer to improve audio implementation

• Documentation: Presentation and Pitch of Audio Ideas to the team and producers, Technical Documents, Audio Asset Spreadsheets

When needed I was assisting my sound designer colleagues by doing audio editing or composing music for the other franchises such as Lego Duplo World or My Hungry Caterpillar.

GAME ENGINE - Unity

AUDIO MIDDLEWARE - Master Audio XX

https://folktalesdigital.itch.io/lost-myths-sons-of-ragnar

For this project, I was part of a multidisciplinary team comprising 2 artists and 1 programmer. We decided to create a historical narrative VR experience based on the Saga of Ragnar. The set up of the story takes place in the 9th century during the Viking era.

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For this project I was responsible for:​

SOUND DESIGN

• Field recording - ambiances and battles

• Foley - injuries, wounds, crow, boat, boat sailing

• Dialogues recording and editing 

• Audio, editing, mixing, mastering

• Create sound effect

• Doing audio for marketing content

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DOCUMENTATION

• Audio Design Document 

• Scheduling tasks and workflow

• Audio spreadsheets (SFX, Music, and Dialogues)

MUSIC COMPOSITION

Composing music that is historically accurate and conveys emotions related to the narrative

GAME ENGINE - Unreal Engine 4

AUDIO IMPLEMENTATION - Fmod Studio

I worked on the first prototype of Dawnmaker which was originally named Cities of Heksiga, a Strategy/Deck builder game made by Arpentor Studio 

SOUND EFFECTS

• Sound effects creation: with recording and audio synthesis

• Field Recording : Ambiences

• Foley: Based on paper, cardboard sounds (for UI)

• Mixing / Editing

• Post Production

• Documentation: Sound Design Document with artistic and technical parts

MUSIC COMPOSITION

Composition of linear adaptive in-game music

GAME ENGINE - Web Technologies: TypeScriptpour / Svelte 

AUDIO IMPLEMENTATION - Three.js (done by programmer)

​https://store.steampowered.com/app/1250290/You_are_next/

This VR game made by Sara Quénel, is an escape room set up in a futuristic Scotland where you must find the name of the person who wants to kill you, to escape from your flat.

I was responsible for:

• Recording/Editing of dialogues (I directed 13 voice actors)

• Audio, editing, mixing, mastering

• Create sound effect: UI, in game objects and furnitures

• Audio spreadsheets: SFX, Music, and Dialogues

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The music was composed by Miroslaw Sienkiewicz

https://store.steampowered.com/app/545890/Breaking_Wheel/

With Jim Fitzpatrick, I was in charge of the sound design and music of the 3D platformer Breaking Wheel developed by our team Insane Mind Games.

Our game was Selected for the BIC festival 2017 and Taipei Game Show 2018. I got the chance to showcase the game and represent the team for these 2 events.

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I was in charge of:

• Foley, Field Recording

• Audio editing

• Build up a sound recording library

• Create Sound Effects

• Music composition: trailer and in-game